If you like Aurelio Zen novels, this book might disappoint you. If you enjoy Michael Dibdin, you’ll love this story. Aurelio is really just a peripheral character. He’s recovering from surgery and trying to fix his relationship with Jenna. (Reading some of the earlier novels first would be useful.) Dibdin’s goal in this wickedly funny and cynical view of Italian academia and upper crust is to skewer the phoniness of the elites and famous. Lots of in jokes including a hidden appearance of Umberto Eco disguised as Eduardo Ugo as a semiotics professor which gives you an idea of Dibdin’s humor.
I suggest reading some of the earlier books in the series and Googling “Ruritania.” The crime is irrelevant and plays second fiddle to Dibdin’s irreverent look at Italiana and gentle spoofing of Italian detective stories. Dibdin has a way with words that often brings a smile to one’s face.